G. Three Worlds: What Trajectories Do They Project?


Two decades ago, in 1993, Johnson Chang Tsong-Zung and Li Xianting curated the exhibition ‘China’s New Art, Post-1989’, which opened in Hong Kong in January of that year. The Chang / Li collaboration amounted to a dream team: Chang with his bilingual international cosmopolitanism, and Li with his leadership in the Chinese contemporary art world... 


2020. 8


C. Three Worlds: What Trajectories Do They Project?


Two decades ago, in 1993, Johnson Chang Tsong-Zung and Li Xianting curated the exhibition ‘China’s New Art, Post-1989’, which opened in Hong Kong in January of that year. The Chang / Li collaboration amounted to a dream team: Chang with his bilingual international cosmopolitanism, and Li with his leadership in the Chinese contemporary art world... 


2020. 5

︎︎︎PDF


E. Three Worlds: What Trajectories Do They Project?


Two decades ago, in 1993, Johnson Chang Tsong-Zung and Li Xianting curated the exhibition ‘China’s New Art, Post-1989’, which opened in Hong Kong in January of that year. The Chang / Li collaboration amounted to a dream team: Chang with his bilingual international cosmopolitanism, and Li with his leadership in the Chinese contemporary art world...

2019. 12

︎︎︎PDF


A. Three Worlds: What Trajectories Do They Project?


Two decades ago, in 1993, Johnson Chang Tsong-Zung and Li Xianting curated the exhibition ‘China’s New Art, Post-1989’, which opened in Hong Kong in January of that year. The Chang / Li collaboration amounted to a dream team: Chang with his bilingual international cosmopolitanism, and Li with his leadership in the Chinese contemporary art world...

2019. 3

︎︎︎PDF


F. Three Worlds: What Trajectories Do They Project?


Two decades ago, in 1993, Johnson Chang Tsong-Zung and Li Xianting curated the exhibition ‘China’s New Art, Post-1989’, which opened in Hong Kong in January of that year. The Chang / Li collaboration amounted to a dream team: Chang with his bilingual international cosmopolitanism, and Li with his leadership in the Chinese contemporary art world...

2018. 5

︎︎︎PDF